English
English繁體中文简体中文日本語
Player SeriesUTUVO Player ProUTUVO Player RefUTUVO Player Go
Work SeriesUTUVO ScanUTUVO PrepUTUVO QCUTUVO Manager
LearnPricingDownloadsAboutFAQPressPrivacyTermsRefundsLanguageEnglish繁體中文简体中文日本語Theme

Player Pro

Mix review,finished in one pass.

Listen to the mix. Mark what needs attention. Send back a report with precise timecodes.

One workflow, for stereo and immersive audio.

DownloadBuild details

macOS 13.0 or later · Apple Silicon only · Developer ID signed · Apple notarized · 30-day trial

Public Beta 1.0.4

UTUVO Player Pro full window: live meters, loudness targets and timecoded notes (UTUVO Light theme)UTUVO Player Pro full window: live meters, loudness targets and timecoded notes (UTUVO Dark theme)
One review, ready to return.Loudness, timecoded notes and email reporting in one window.

From first listen to handoff

A review with a clear finish.

Stereo or immersive, streaming target or broadcast spec, the workflow is the same. It ends with a reviewed mix, not a folder of voice memos.

Watch the full demo
  1. Player Pro loudness panel: integrated LUFS, true peak, and the Spotify (-14) delivery targetPlayer Pro loudness panel: integrated LUFS, true peak, and the Spotify (-14) delivery target
    01

    Load the mix.

    Open your master and listen with loudness and the selected delivery target in view.

    Start listening
  2. Three review notes with precise timecodes and statusesThree review notes with precise timecodes and statuses
    02

    Mark the moment.

    Press N while listening. Your note keeps the timecode, severity and status, saved on your Mac.

    Leave your first note
  3. Email report form with sender, recipient and Send buttonEmail report form with sender, recipient and Send button
    03

    Return a clear report.

    Notes and measurements go out as a one-click email report your client can act on, or export the review for your next step.

    Prepare your handoff

See Player Pro in action.

A complete local workflow for listening, verification, revision notes, immersive review, and client-ready reports.

72.6 seconds · English narration · Captions in four languages

A real Player Pro application capture using the privacy-safe demo master. Download video

Six of eight delivery targets are stereo or broadcast.

Load a plain two-channel WAV and you get the full review workflow: the same loudness engine, timecoded notes, phase and spectrum analysis, A/B compare, exports and email report. Only the 7.1.4 Speaker Room and the 3D Object Visualizer are immersive-specific.

Player Pro in Light theme reviewing a two-channel master with loudness, notes and the email report form visiblePlayer Pro in Dark theme reviewing a two-channel master with loudness, notes and the email report form visible
A real two-channel Stereo Master: Engine v2 · 2ch, Spotify loudness, three timecoded notes and the email report form in one window.

Stereo in. Email report out.

Load a plain two-channel WAV and Pro selects Engine v2 automatically. Loudness, timecoded notes, phase, spectrum, A/B compare and export all stay in the same review window.

Enter sender and recipient, then press Send. Your client receives an HTML email report with the notes, exact timecodes, severities, loudness figures and a screenshot of the review window.

Player Pro in Light theme showing a two-channel master, Integrated LUFS, Apple Music target and retained notesPlayer Pro in Dark theme showing a two-channel master, Integrated LUFS, Apple Music target and retained notes
A two-channel Stereo Master with Integrated LUFS, delivery status, timecoded notes and the selected platform target visible together.

Eight delivery targets. One badge.

Pick your target and the Integrated LUFS card compares your measurement against that platform’s LUFS and True Peak ceiling, then shows Pass / Warn / Fail. Range, Short-term, True Peak, Short-term Max and Momentary Max sit underneath.

Per-channel PPM for all twelve channels with OVER indicators, polled continuously. Reset clears the Integrated measurement and re-accumulates from now. Export Report writes the loudness compliance report as PDF.

TargetLUFSTrue PeakKind
Apple Music−16−1 dBTPStereo
Spotify−14−1 dBTPStereo
YouTube−14−1 dBTPStereo
Amazon Music−14−2 dBTPStereo
EBU R128−23−1 dBTPBroadcast
ATSC A/85−24−2 dBTPBroadcast
Atmos Music−18−1 dBTPImmersive
Netflix Atmos−27 (±2 LU, BS.1770-1)−2 dBTPImmersive

Press N. It’s already written down.

UTUVO Player Pro full window: live meters, loudness targets and timecoded notes (UTUVO Light theme)UTUVO Player Pro full window: live meters, loudness targets and timecoded notes (UTUVO Dark theme)
Two real review notes in frame: one Critical range note, one Minor point note, markers on the timeline.

Notes that are already timecoded.

  • Point Note: press N during playback. The note lands at the exact playhead time and opens for editing. Playback never stops.
  • Range Note: drag a region on the timeline, press Enter. The note is attached to that span, not a single instant.
  • Severity: Critical (red) or Minor (cyan). Status: click to cycle Open, Checking, Done.
  • General Note for impressions that aren’t tied to a timecode. Search and filter by text, status or severity. Undo and redo with ⌘Z / ⇧⌘Z.
  • There is no Save button. Every note is written to a local database the moment you finish editing it. Quit, come back next week, load the same file: notes, statuses, severities and the General Note are exactly where you left them.
Player Pro window with three timecoded notes and the email report form openPlayer Pro window with three timecoded notes and the email report form open
Three real notes are in frame while the email report form shows sender, recipient and Send controls.
Player Pro Export menu listing CSV, JSON, PDF, image and MID formatsPlayer Pro Export menu listing CSV, JSON, PDF, image and MID formats
The Export menu lists CSV, JSON, PDF, report images, share cards and MID.

One click. Your client gets a report, not a voice memo.

Fill sender and recipient, press Send. The recipient receives an HTML report with your notes, timecodes, severities, loudness figures and a screenshot of the window.

  • CSV export, respecting your current filters.
  • JSON export with the full note data, including General Note, platform target and measurements.
  • PDF loudness compliance report.
  • DAW Markers (.mid): standard SMF markers plus a matching .txt, importable into Logic and Pro Tools. Set the BPM field to your song tempo so markers land precisely.

See the full delivery checklist: Why Apple Music rejects your Dolby Atmos master.

Phase, spectrum, and an honest A/B.

Phase correlation, 31-band spectrum and A/B compare panelsPhase correlation, 31-band spectrum and A/B compare panels
Phase correlation, 31-band spectrum and the A/B card, reading live.

Analytics that catch what ears miss.

  • Phase Correlation, −1 to +1. Near +1 is mono-compatible; near 0 is wide, normal for immersive; negative, especially ≤ −0.3, is out of phase: go listen in mono.
  • Spectrum: 31-band real-time energy.
  • A/B Compare: load a second file as B and switch while playing with the \ key. UTUVO aligns B automatically and shows the offset in ms or samples. Notes taken while B is active are tagged B.
Player Pro window showing the output device, sample-rate warning, 24 fps timecode, locked range, waveform, limiter and output trimPlayer Pro window showing the output device, sample-rate warning, 24 fps timecode, locked range, waveform, limiter and output trim
One frame shows the live output device, sample-rate mismatch, 24 fps timecode, locked range, two-layer waveform, limiter and trim.

The details engineers actually notice.

  • Switch output device during playback without stopping.
  • Sample-rate match indicator: the chip describes the file, and next to it the app compares the file rate with the rate your output device is actually running. Green dot means matched; amber tells you when macOS is resampling your output, with the device rate on hover. It deliberately does not claim more than the nominal rate.
  • Timecode frame-rate chip, read from the file’s Dolby metadata. Green matches the Dolby Atmos Music delivery spec (24 fps is a MUST); amber does not; grey means the file states no frame rate, unverified rather than a pass.
  • Two-layer waveform: a light peak outline over a solid RMS core. The gap is your crest factor at a glance.
  • Soft-clip limiter and ±dB output trim, double-click to zero.
  • Locked Range + Loop: drag a region, hit loop, and that section repeats while you work on it.

When the file is immersive, Pro is the high-end mode.

The 7.1.4 Speaker Room with all twelve channels laid outThe 7.1.4 Speaker Room with all twelve channels laid out
The Top Monitoring View lays out all twelve channels in their spatial positions.

Twelve channels, one glance, every one soloable.

The 7.1.4 Speaker Room lays out L / R / C / LFE / Ls / Rs / Lrs / Rrs / Ltf / Rtf / Ltr / Rtr in their spatial positions, with Solo and Mute per speaker.

  • Group pills (Front / Side / Rear / Top / LFE) select a whole tier at once, and Shift-click adds across groups.
  • Speaker glow: while playing, each speaker lights up with the level of its own channel. Off / Subtle / Standard / Strong.
  • Metering is taken before mute, so the PPM keeps showing source levels while you audition a single speaker.
The 3D Object Visualizer window with 41 Atmos objects
The 3D Object Visualizer renders 41 Atmos objects moving through the room in real time.

Watch 41 objects move through the room.

For ADM masters, a separate window renders Atmos objects moving in real 3D space, with the speaker layout, the screen plane and the listener position drawn in. Object labels toggle on and off.

Player Pro window with AirPods Max selected and the Render menu open to four modes, with Spatial Audio checkedPlayer Pro window with AirPods Max selected and the Render menu open to four modes, with Spatial Audio checked
AirPods Max is the active output while Spatial Audio is selected from the four Render modes.
Player Pro Playback settings with Spatial Audio enabled and Head Tracking status shown as TrackingPlayer Pro Playback settings with Spatial Audio enabled and Head Tracking status shown as Tracking
Playback settings separately show Spatial Audio enabled and Head Tracking in the Tracking state.

Hear it the way your listener will.

Render modeWhat it does
MultichannelRaw channels straight through, for a real speaker array
Spatial AudioAirPods head-tracked spatial audio, the official Apple algorithm that Apple Music uses
BinauralHRTF binaural for any headphones, no AirPods needed
Stereo DownmixDolby standard-coefficient downmix for plain stereo

Turn your head. The mix stays where the picture is.

Choose Spatial Audio and the soundfield stays anchored to your screen as you move. Works with any AirPods that support Spatial Audio: AirPods 3, AirPods 4, AirPods Pro, AirPods Max. Tested on AirPods Pro and AirPods Max.

It looks like it belongs in your studio, in your language.

Contact sheet of all eight Player Pro themes
All eight themes in one grid.

Eight themes, eight languages.

Themes: UTUVO Light · UTUVO Dark · Daylight · Midnight · Spotify Green · Ableton Grey · Graphite Teal · Apple Classic. Switch from the top bar; recolours instantly.

Languages: English · 繁體中文 · 简体中文 · 日本語 · 한국어 · Deutsch · Français · Español. The interface translates instantly; audio terms like LUFS, True Peak and Loop stay in English by convention.

Reopened Player Pro session with a General Note and three timecoded notes retaining their status and severityReopened Player Pro session with a General Note and three timecoded notes retaining their status and severity
Captured after quitting and reopening beta.11: the General Note and all three timecoded notes returned with their timecodes, status and severity.

Everything stays on your Mac.

Notes are written to a local database as you work. Reopen the same file and Pro restores the General Note, point and range notes, timecodes, severities and statuses.

The shipping-build receipt for this image records a full quit and relaunch with all three notes and the General Note intact.

Specs and download

To report a beta issue, choose Help → Report a Problem… in the app; UTUVO prepares an email to support@utuvo.app and does not attach or upload logs.

Version1.0.4
PlatformmacOS 13.0 or later, Apple Silicon only (no Intel build)
Size10,616,795 bytes
SHA-2562509ead5369990287843b303958ef3bc3161c129e70ccb2b886686afbb905ab0
SigningDeveloper ID signed, Apple notarized, ticket stapled. Double-click to open, no right-click workaround, works offline on first launch.
Trial30 days, then a licence key
Formats inAtmos multichannel WAV, ADM BWF, standard stereo WAV, and anything macOS AVFoundation decodes (incl. Dolby MP4 / JOC via AVPlayer)
Exports outCSV · JSON · PDF compliance report · DAW markers (.mid + .txt) · HTML email report
DownloadFull download details ›

Asked often enough.

Is there a download link?

Yes. The current public build is signed, notarized and stapled. Double-click the DMG, drag UTUVO Player Pro into the Applications folder, then open it from there. The first launch is offline. The version number and the exact SHA-256 are on the Downloads page, taken from the release record so they cannot go stale here.

Does it ship for iOS?

No iOS build. UTUVO Player Pro runs on macOS only.

Can I send notes by email?

Yes, as one of four output paths. Sending uploads the note text, loudness readings and one screenshot to UTUVO’s own endpoint (api.utuvo.app/send-notes), not a third party.

Does MIDI export keep my Chinese notes?

MIDI has no Traditional Chinese encoding, so marker names are ASCII (index + summary). The full Chinese text lives in the .txt sidecar.